The popular Lawrence tradition of Art in the Park, dating back to 1964, lives on this year with an expected 20,000 visitors. It not only brings together the community of Lawrence but also supports the artists within.

Along with the large number of visitors expected, there were over 110 vendors selling different fine arts pieces and 15 musical guests. The event was held in South Park from Sep. 14 – 15.

Attendees from children to adults roamed to explore what Art in the Park offers, building lasting memories they won’t forget. Gaining the crowd that Art in the Park has demonstrates the Lawrence community’s appreciation of the arts.

“Lawrence is historically an artsy town, and I hope our community continues to value and support the arts with events like Art in the Park,” Amy Hilger said. “Growing up here, I remember attending Art in the Park as a kid and walking around eating popcorn and enjoying looking at everything.”

While Art in the Park attracts many visitors from the community, it also brings in vendors as an opportunity to sell their art. Freshman Emily Green feels like Art in the Park allows artists an easier way to sell their work.

“It’s harder for them to sell online, so Art in the Park is a good place to just be able to get out there and be more known,” Green said.

The larger scale of Art in the Park makes it even easier to support participating artists. From the local artist himself, Charles Forseth explained how helpful Art in the Park is, opposed to other events.

“I do 17-20 art fairs a year, and Art in the Park is consistently one of my best, most profitable fall shows,” Forseth said. “It is a vital addition to my show schedule.”

Furthermore, artists love Art in the Park for being able to interact with so many customers. Being able to see what people like about their art, their feedback and what pieces they gravitate toward all comes with having an in-person event.

“My favorite thing about Art in the Park is seeing what people like about my artwork in person and the spur of the moment reactions,” Hilger said. “I love the people who actually really stop and look — when they lean in with their face only a few inches away from the art to notice all the texture.”